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Doctored Photos October 5, 2009

Posted by markgeil in Things that amuse me.
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Time recently published a gallery of ten very prominent doctored photographs. They go back as far as the Civil War (who knew they could doctor photos way back then?) and some have such historical significance that, if you’re like me, you have seen them a hundred times and had no idea they had been altered.

Make sure you check out the Oprah pic!

Mister Lyrics Geek on SMS by David Crowder Band October 2, 2009

Posted by markgeil in Music.
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Amy is a song-repeater. If she has a favorite song on a CD, she will play it back-to-back-to-back. In fact, the CD was a wonderful invention for her, since song repeating is far more difficult on cassette. I rarely repeat a song, but sometimes I’m in the car, and totally struck by a song, or I missed a certain lyric and want to hear it again, and I’ll hit that Back arrow once.

I’ve been repeating a song on the new David Crowder CD lately. A lot. It’s called SMS [Shine]. SMS apparently stands for the first line, “Send me a sign”, but it’s also a clever play on words (play on acronyms?), since SMS is the abbreviation for Short Message Service, also known as text messaging. So, the song is about messages that tell of the presence of God.

The first verse reads like the Psalmist complaining about the silence of God. “Send me a sign, a hint, a whisper. Throw me a line, ‘cause I am listening. Come break the quiet, breathe Your awakening. Bring me to life, ‘cause I am fading.”

There is a hint of desperation in Crowder’s vocals, until the quiet piano rises for a chorus of repeated half notes that turn the prayer to worship: “Shine Your light so I can see You. Pull me up, I need to be near You. Hold me, I need to feel love.” And then there’s the last line, another subtle play on words that moves me:

“Can You overcome this heart that’s overcome?”

I’m not normally a big fan of wordplay in songs. Remember that Point of Grace song that beat you over the head with the bridge across the great divide? You just knew it was going to become a cross to bridge the great divide, right at the key change. Somehow, though, Crowder manages these lyrical tricks so well (see Wholly Yours), as SMS so beautifully demonstrates.

The next verse is critical. In the silence of God, we must remember that He’s acting out of love, and our evidence is His track record. Here, Crowder (and cowriter Jack Parker) recall the greatest sign ever sent, Christ. Look at the contrasts between verses one and two:

Send me a sign, a hint, a whisper  |  You sent a sign, a hint a whisper
Throw me a line, ‘cause I am listening  |  Human divine, Heaven is listening.
Come break the quiet, breathe Your awakening  |  Death laid love quiet, Yet in the night a stirring

Now, notice the little changes in the chorus that follows:

Shine Your light so I can see You  |  Shine Your light so all can see it
Pull me up, I need to be near You  |  Lift it up ‘cause the whole world needs it
Hold me, I need to feel love | Love has come what joy to hear it
Can You overcome this heart that’s overcome?  | He has overcome, He has overcome

For me, this is a master class in lyric writing. The words convey a simple message but do so with the richness and importance the message deserves: when God is silent and seems distant, faith is sustained by the sign He already sent, and it’s all in the Bible (His text message). I think sometimes all it takes for Him to start speaking again is for us to remember that truth.

Blog Nuggets: new links and crates of love October 1, 2009

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Nugget 1: I’ve made several trips to the Home Depot recently, and so far I’ve been impressed with their response to the floods. The stuff people need the most is in stock and has been moved right up front, and as far as I can tell the prices have not been jacked up. In some cases, they’ve been dropped. The corporation also made a big donation to relief efforts.

Nugget 2: Why do sports announcers make such a habit of declaring how a certain statistic is completely meaningless, then immediately giving an example of how the statistic predicted the very outcome of the game? I heard this on one of our local sports talk radio stations: “I will always believe without a doubt that time of possession doesn’t mean diddly, but when your opponent has the ball TWENTY MINUTES longer than you do, you just can’t win the game.”

Nugget 3: I’ve quietly added a couple of blogs to the blogroll on the right, but I’d like to call them to your attention. The Focus blog is a Psalm-a-day devotional being written by members of our church. I’m honored to post on Wednesdays. “Anita’s Love” is a heartwarming and heart-wrenching tribute to Anita Schick by her husband Greg. He’s posting some of her past journal entries, letters, and emails, and I get to know her better with every post.

Nugget 4: Rod Stewart has a new CD box set of previously unreleased session demos. For anyone interested in the genesis of a song, it’s quite interesting. He lays down a vocal demo for “You Wear it Well” over a fully realized instrumental, and we learn very quickly how important lyrics are! One line goes, “So I went… on… my own way, feeling that everything’s done. Well I was tired… out, never the best, could not deedle-aw-duh. Do do do do la la la.” In another improvised line he actually replaces the titular words, “You wear is well” with “Your underwear”, sung just as passionately.

Nugget 5: Speaking of lyrics… Normally I ascribe to the “if you don’t have anything nice to say, don’t say anything” school of writing, but I’m so moved by another new release that I must put on my evil critic hat. Remember Blake Lewis? I was a big fan on American Idol when he would bust out the beat box on his way to a second place finish behind Jordin Sparks. He’s just released his second album, and some of the lyrics are just mystifyingly banal. There’s a whole “super-modern-digital” theme like it’s the early 90’s and CDs are a new thing. Here’s an excerpt from the title track, Heartbreak on Vinyl.               

“Heartbreak On Vinyl was the name of the store. Now the store is gone and we can’t meet there anymore. We were digging in the crates of love. Well darling sometimes love just ain’t enough. Heartbreak on vinyl was for people, I guess, who fall in love in Analog and never let go. Oh oh oh.”

Digging in the crates of love? There’s a pickup line for you. Analog love is apparently untenable in our super-modern-digital age, and the second track tells us what’s better: Binary Love! It even gets a bonus syllable; it’s sung over and over as “by-uh-nary love”.

 

Finally, thanks for reading. We’ve passed 5,000 hits on the blog, which is cool.

Rebuilding September 28, 2009

Posted by markgeil in Philosophical musings.
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Most of the flood waters have receded and clean up is well underway. We had more rain Saturday, and the ground is obviously still completely saturated as the rain puddled up right away. Our phones are back, after a simple fix from our friend Jeff. I feel like a doofus being without phones for 5 days because I didn’t know enough to just unplug every phone in the house. Turns out the lightning fried one of the cordless sets, and that phone was taking down the whole line.  Anyway, hooray for an easy and inexpensive fix, even if I’m a doofus. The new TV box is supposed to arrive today, and Amy bought new phones Saturday. All the while, I’ve been doing FEMA paperwork and tearing apart the front of the house.

Most of the rain came in through the front wall, and once I started chipping away with a hammer and screwdriver it became obvious where the main leak was. What struck me was just how wet all the wood still was. Like, drops of water coming out of the wood inside our wall, seven days after the main storm. I pulled the insulation out and tossed it to the walkway below, and a stream of water started flowing into the yard. Gross. I disconnected the outside light above the door and then started trying to pry off some plywood so I could see the extent of the damage. You know the saying about “the right tool for the job”? I was ill-equipped. I did what I could with claw hammers and chisels and screwdrivers, then went to Home Depot to get new plywood, treated lumber, and a 36 inch pry bar! I got back and had the board off in 30 seconds. Hooray for the right tool.

I found the space where the water had managed to travel from above door all the way down to the basement, and saw more wet and rotting wood than I wanted to see. I knew of one board that needed to be completely replaced, but now I see two or three others, and I think these might be beyond the purely cosmetic sorts of boards. I called my buddy Bob who is a general contractor, and he’s coming by this afternoon to let me know if I just need to make the simple repairs I was hoping to make or if the house is falling down.

I left our dehumidifier running for two days in the basement and it feels as dry as British humor down there now. Next comes hardwood floor replacement (ugh), garage door opener replacement, and TV repair. All the while, I have a weird sort of survivor’s guilt going on. People have lost so much, and the things I’m replacing all seem like such luxuries in the grand scheme of things. I’m humbled that I even have a garage and televisions and a pretty window above the door. I’ll be less humbled if that window falls on my head, by the way. To add to the strange feelings, our new next door neighbors have moved in and are tricking out the place like they’re going to be on MTV Cribs. I’m prying off the front of my house and they’re filling a new hot tub.

I am keenly aware of the beauty of simplicity. I am also aware of how much stuff I have, and I try hard to be grateful for it, and I know that most of it is not necessary. But standing there Sunday on my old wooden step ladder (on that step where it says “Don’t step here or you will fall and die”), thinking about the flood and how others have it so much worse, and watching the drywall and electrical guys finish the new theater next door, I had the oddest combination of feelings: thanksgiving for what I have, jealousy for what I don’t have, and remorse for having too much.

Since I don’t really know what to feel, I will keep plugging away, fixing wood and spreading mulch and cleaning up. Nothing like manual labor to keep the mind occupied.

Review: David Crowder Band – Church Music September 25, 2009

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David Crowder Band
Church Music

Tracks:
1. Phos Hilaron [Hail Gladdening Light]
2. Alleluia, Sing
3. The Nearness
4. Shadows
5. Eastern Hymn
6. SMS [Shine]
7. The Veil
8. We Are Loved
9. All Around Me
10. How He Loves
11. Can I Lie Here
12. Birmingham [We Are Safe]
13. Chuch Music – Dance [!]
14. What A Miracle
15. Oh, Happiness
16. God Almighty, None Compares
17. In The End [O Resplendent Light]

There is church music, and then there is David Crowder Band’s Church Music. Churches and churchgoers will forever wrangle with what sort of music serves as the best soundtrack for corporate worship. There were hymns, and then Jesus Music, and then the Praise and Worship phenomenon, with hymns making little comebacks all the while. Finally, along comes Crowder with music for worship that sounds so very modern but completely avoids the clichés that have saddled so much of our generation’s praise music. One song has lyrics from the 4th century. Another is new but could fit right into the Book of Psalms. Altogether, 17 songs melt into one another for a 73-minute expression of God’s presence and our response to it.

David Crowder dropped a tantalizing statement in an interview with Andrew Greer for Christian Music Today: “Each [song contains] a nod to a formative moment within the history of music in the church, and these moments… appear on the album in historical order. It’s a musical puzzle.” No surprise, then, that the album opens with Phos Hilaron, an ancient text for evening prayers. This is Crowder’s second take on these words, having co-written a very different version with Chris Tomlin and Louie Giglio for the outstanding 2004 Passion Hymns album. Beyond this opener, the progression of church music through the CD is frankly lost on me, but that doesn’t diminish the impact of these songs.

Consider the pairing of tracks 3 and 4, The Nearness and Shadows. The former is a driving, syncopated anthem about light and dawn and the presence of God so powerful the walls shake and the sky trembles. Shadows follows, a quieter march that considers again the contrast of light and darkness, but allows that we sometimes live in the shadow. “When the shadows fall on us / We will not fear / We will remember.” The line sticks in my head, and I’m glad, because I know I’ll need it. In yet another subtly beautiful Crowderian metaphor, our time in darkness is comforted by a similar darkness, but one that held an eternal promise: the shadow of the cross.

The band’s always capable rhythm section (B Wack and Mike D) gets a gold star for driving this album nimbly and seamlessly through changes in tempo and mood, while DCB’s signature keys and programming add layer upon layer of depth to each track. An example is All Around Me.  On the surface, it’s a slowed-down cover of the stirring Flyleaf original (Lacey Mosley guests on another track) established on a simple piano line. It’s stripped down and stunningly effective. A closer listen in a quiet room with good speakers reveals a staccato keyboard undercurrent, and maybe a distorted vocal track, and even the sounds of a thunderstorm. None of the additional layers is necessary; they’re more like the little details at a Disney park, or the jokes in a kids’ film that only the adults will get. They don’t cross the line to distraction; they serve the melody and augment the lyrics, delivered by Crowder with surprising range.

Another cover follows, John Mark McMillan’s How He Loves, further demonstrating Crowder’s ability to take the occasions when he sets aside his own formidable songwriting skills and choose the ideal cover. The rest are originals, and they’re wonderful. There’s a particularly funky set of tunes near the end: the title track, which bears the appendage Dance [!], could be off of the Newsboys’ “LoveLibertyDisco”, and Oh, Happiness is absolutely infectious.

Crowder’s diction is particularly poor in spots, so this is music best listened to alongside the lyrics.  The CD is packaged in cardboard, with its own removable sleeve, like a vinyl LP. I’ve yet to see all-cardboard packaging that allows me to keep fingerprints off my CDs, but this is close. Two songs are listed in the fancy font from the cover, but the label tells me there’s no significance to this. The trademark “good reader” bonus does show up in the liner notes again.

David Crowder told me once that he plans CDs in a repeating cycle of style, but through that repetition I’m amazed that the band keeps getting better. They find the perfect balance of familiarity for ardent supporters and the freedom to explore new sounds, and through it all they mature and improve. This is what praise and worship music should be.

Flood September 23, 2009

Posted by markgeil in Awe.
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road_washout

So apparently here’s what happened. A “northern hemispheric flow” caused the jet stream to be shaped like the Greek letter omega. That trapped weather systems above the Atlanta area and wouldn’t let them leave.

Next, a tropical pressure system that didn’t quite merit a name came up from the Gulf of Mexico and got trapped in the omega-shaped block. An additional block named Rex (no, seriously) meant the atmosphere was already saturated, so the resulting raindrops were physically larger than normal.

On top of all that (literally) the air was all swirly above the tropical thing, squeezing more rain out. As if that wasn’t enough, there was no front to push the rain across the flow. Instead, each newborn storm plodded slowly along the blocks, not through them.

All these Greek letters and jet streams and swirly atmospheres created a perfect rain-producing machine. The girls had a bucket on the front porch, about 10 inches deep. We emptied it twice, and now it’s full again. No meteorologist has ever seen a convergence of weather patterns like this. The rain just pounded and pounded for hours on end, and when it wasn’t pounding there was still a steady downpour.

My buddy Joey said yesterday that it was at about 10:00 Monday morning when his thoughts changed from “This sure is interesting weather,” to “This is not good.” Indeed, the Sunday downpours were just a curiosity. It was even hard to hear the pastor preach on Sunday morning, so heavy was the rain on the roof of the church. But it just never stopped. We went to sleep wondering when the rain would let up, the girls hearing rumors that some school systems were closed.

Early Monday morning I drove to work in darkness with a white-knuckled grip on the steering wheel, my little car plowing through standing water like a champ. School was on in our county, so the girls begrudgingly braved the storm and headed out. Then along came that time Joey mentioned, when things got bad. The rain never stopped, and though it was light at my office, it was torrential up in Kennesaw. Amy called to check in, and while we talked I heard a massive “BOOM”, a crackle in the phone, and a little shriek from a startled Amy. Lightning. She called back a little later, this time on her cell phone. The nearby lightning strike had knocked out the phone lines, and a TV box, and a monitor. And the rain kept coming. I started to try to wrap things up early so I could go home. More calls followed, each with a little more urgency as the house started to leak.

I drove home around noon through surprisingly light rain until I got close to Kennesaw. That’s where the wipers went from INT to ON to HI, when the visibility went to almost nothing. There was a big truck in front of me at one point – the crazy thing passed me – and it got about two car lengths ahead of me and completely disappeared. It just blended in with the rain and vanished. It was like the gray clouds had dripped like paint into the air all around me.

The interstate was starting to develop some sizeable standing water, but I was fine as long as I stayed in the highest lanes. When I finally got home, I was surprised to see our front door wide open, with buckets and bags and towels scattered about. The rain was actually coming through the wall above the front door, seeping through to the inside wall, and escaping in through the molding above the door, then through the floor, then into the basement below. We had two other leaks in the back and side.

I fetched some bigger buckets and tarps and got most of the leaks redirected into the 5 gallon buckets. I went outside to check the gutters, which were all overflowing. That’s when I noticed the creek behind our house, raging like it had never raged before. It’s really just a storm drain from the street above. We built a bridge across it a few years back, and the water had never reached the bridge, even in the biggest of storms. Monday, the water coursed a foot over the bridge, forming a standing wave. That water, like most of our street gutters, drains to Proctor Creek, which runs right through our neighborhood. If our little creek had risen three feet, I wondered about Proctor Creek.

I didn’t need to wonder long. The Creek had risen high enough to wash out the road around the neighborhood in several places.

 road_collapse

Roads that hadn’t collapsed were underwater.

submerged_stopsigns

School officials scrambled to get kids home. The announcement came that schools were releasing early. The buses went to collect the middle schoolers first. They started on their way, found the roads impassable, and retreated to the school. Some parents managed to pick up their kids, only to find the way back to their homes blocked. Our house became a bit of a temporary shelter, with friends stopping in so their kids could use the bathroom, then staying because there was nowhere else to go.

The rain abated, and the kids finally made it home. They haven’t been back to school since. The washed-out roads have collapsed even more. The pastor who was drowned out by the sound of the storm on Sunday had five feet of water in his basement by Monday.

By Monday night, the water level had dropped dramatically, and the aftermath was evident. We went on a walk through the mud and debris, astonished by the violent torrent that used to be Proctor Creek.

This is one of those little “feeder” creeks, and a bridge that normally sits four feet above the stream below. At the very end, the camera faces the submerged soccer fields. The baseball field on the other end of the bridge had been underwater well above the outfield fence, up to the scoreboard.

 

The scene remains a little eerie. Abandoned cars line the roads as people have had to walk through muddy streets and yards to get home. Items are strangely displaced. Soccer goals sit mangled in heaps, hundreds of yards away from their fields. We spotted a trailer high up in the trees in the middle of the woods. And while we were walking, I heard a hiss coming through a small hole in the ground, near a trail through the middle of a field. I bent down to listen, and the sound emanated from a single hole, a small fissure in the dirt. It was hard to tell if it was just air escaping from somewhere, but it sounded an awful lot like raging waters deep below us. I shuddered.

We fared better than so many. Random things don’t work in the house and, inexplicably, my car radio no longer picks up Radio Disney. Is that a bad thing? The house is drying out, and the damage is not too bad. We know when we watch the news how much worse it could have been. People died, and some remain missing. Interstates, those behemoth arteries, remain submerged. Six Flags is underwater, and I wonder if it will ever reopen.

People talk of floods of “Biblical proportions”, and I think we got a small taste. The power of the water to so dismissively wash away any mighty structure inconveniencing its path is harrowing. The rapidity of its rise is shocking. The relative futility of our efforts to shape the earth the way we see fit is humbling.

Review: North! Or Be Eaten September 18, 2009

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This was a deadline that caused much consternation. I agreed to post a review sometime this week of Andrew Peterson’s new book, North! Or Be Eaten. Here’s the problem. We’re on page 230, and the book has 323 pages. I say “we”, because I’m reading the book aloud to the family. It’s slower, but this book reads so well out loud that I wouldn’t have it any other way. Deadline looming, I suggested that I might go ahead and finish the book on my own. The children protested mightily, declaring the abject unfairness of that idea, and I coalesced. So, here’s my review of the first 230 pages of North! Or Be Eaten by Andrew Peterson. If the last 93 pages are terrible, blame my daughters.

“North! Or Be Eaten” (one of the single greatest book titles ever) is the second book in Peterson’s fantasy fiction Wingfeather Saga. “Author” is the second career for which many of us know Andrew Peterson, the first being that he is a brilliant musician who writes songs that make me think, or wonder, or praise. But I promised myself I wouldn’t gush about him too much. But did you know he’s also an artist? Sheesh!

Some people won’t read fantasy. It’s a genre that has built itself some off-putting stereotypes, but they don’t apply here. This is a very human story, and its fantasy setting just expands the colors on the storytelling palette. Take the first words on the first page, for example. “’TOOOOTHY COW!’ Bellowed Podo as he whacked a stick against the nearest glipwood tree.” Fourteen words in and I’m already startled and smiling at the same time.

In book one of the Saga, “On the Edge of the Dark Sea of Darkness,” (which I mentioned here), we meet the Igiby family and the three children who carry the story. Janner is 12, the eldest son, and it is his thoughts and feelings to which the third-person-limited narrative gives voice. He and his brother and sister, Tink and Leeli, have a secret. Book One exposes it, Book Two explores the implications.

North! spends far less time on character development than its predecessor, so I must recommend starting with the first book. Much of North! is intense action; the story moves quickly and we have to carry our understanding of the characters to appreciate their reactions.

As in his lyrics, Peterson has an extraordinary ability to sprinkle little lines of the sublime here and there, little moments of brilliance that pass by effortlessly. It is the mark of a confident writer that such lines, for which he must be proud, are not accorded unnecessary pomp. Chapter 15, a sad part of the tale, offers a few examples:

       “They climbed the bank slowly, dragging heavy hearts.”

       “Her tears struck Janner as the right kind of tears.”

       “He laid his head back on the stone and looked at the sky. White clouds slid across the deep blue dome, peaceful as a sigh.”

There is also wonderful humor throughout. A rotund bookseller named Oskar is a fount of literary quotes that are a fantastic comic device. Footnotes in the text lend authenticity to the imagined world, and sometimes tantalize. There’s a creature, the Bomnubble, that keeps getting mentioned but has yet to be explained. When introduced, the usually informative footnote states only this: “Bomnubbles! Woe!” I trust the scary Bomnubble will appear in these last 93 pages.

I mentioned that I’m reading these books aloud, and if you can muster an audience, I highly encourage this practice. I’ve had a grand time with the accents. My Podo is Irish, thought the rest of his family speak quite American. Most of my Fangs are all James Earl Jones-as-Darth Vader, Stranders are Cockney, and Ridgerunners speak in a skittish but proper British accent. Inexplicably, my Overseer turned out like Archibald from Veggie Tales. Oh, and the title has become a catchphrase in our house. When I finish reading each evening, I announce, “Bed! Or be eaten!” For some reason, Amy usually follows with, “Off with your heads!” the neighbors must surely wonder.

Peterson is a Christian and the books certainly have allegorical elements, but mostly they’re good, clean literature waiting to be explored. You can get both copies, autographed by the uber-talented author himself, at the Rabbit Room store.

Read! Or be eaten!

To my friends in government: I pity you September 14, 2009

Posted by markgeil in Things that amuse me.
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I received a kind invitation from the U.S. government to participate in a grant review. Here’s the first sentence of the email. I am not making this up.

Dear Dr. Geil,

I am the scientific review officer (SRO) for the Hypothesis Development Award Surgical Intervention and Rehabilitation (HDA-SIR) peer review panel of the 2009 Peer Review Orthopaedic Research Program (PRORP) for
the Department of Defense (DOD) Congressionally Directed Medical Research Programs (CDMRP).

I am compelled to comment that I, as Author of this Blog (AOB) have published this blog posting (BP) as the most current blog posting available (MCBPA), and it shall retain that status until a superseding blog posting (SBP) is published, in which case its status shall be changed to an archival blog posting that was once the most current blog posting (ABPTWOMCBPA).

Regards,

Mark Geil, AOB

Revolution Number Nine September 9, 2009

Posted by markgeil in Music, People.
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Happy Nine Day. We’ll have a day like this (9-9-09) for the next few years (until 2012, if you’re counting), but this one seems extra-special. SEPTEMBER has 9 letters, and so does WEDNESDAY. Could also be because nine is such an interesting number. When I was little I learned all kinds of math tricks you can do with nine. I’ve forgotten most of them, which I’m discovering is a common occurrence, especially as my kids ask me math questions that I’ve long forgotten. I do remember one interesting trick with 9-mathematics. If you add the digits of 9 times any one-digit number, you get 9. To wit: 9 x 2 = 18, and the two digits of 18, one and eight, add to nine. 9 x 3 = 27, and 2 + 7 = 9. It works all the way up to 9 x 9. Go ahead, try it. Fun for hours, depending on your math skills.

Today is also special because it’s the big release of the Beatles remasters and the Beatles Rock Band. I asked Hannah’s friend Molly, who has Rock Band, when she was getting the Beatles game so I could come over and play. I’m thinking me as Ringo on drums, Hannah on guitar, Molly on vocals, and her dad Jim on bass. Left-handed of course. Have to be authentic. Molly said she was going to ask for it for Christmas. Too long for me to wait, I told her. Jim, are you reading this?

Entertainment Weekly published a list of the top Beatles songs and albums, an exercise in derision. Sgt. Pepper at number seven? White Album ahead of Abbey Road? Yougottabekiddingme! Let me not then add my own ranking to the fray. Instead, here are a few Beatles songs that have a special meaning for me, in no particular order. Feel free to add your own to the list.

Here Comes the Sun: I can still see the beam of sunlight on the blue shag carpet in my room. It had been a long winter. I was a teenager, and sometimes teenagers just have long winters. I saw that beam of sunlight, and the little fuzzy things that float through that air that are apparently always there, but you can’t see them until they’re illuminated by a sunbeam, and I smiled, and I played this song.

Nowhere Man: I loved this song when I was little, and I’m not sure why. I do recall one day, laying on my brother’s bed with those gigantic vinyl-padded old-school headphones on, the ones that covered half your head, listening to the Red Album on his record player. Nowhere Man came on, and I knew all the words, and I closed my eyes and sang with gusto, at least until a looked up and saw my brothers having quite a laugh at my expense.

Eleanor Rigby: This is a more recent memory. A few months ago I bought a fabulous music book with guitar chords for 90 Beatles songs. Every now and then I’ll just page through the book, playing song after song. It wasn’t until I played this song and felt its chord progressions that I fully understood the characters and their depravity, described so fully in just a few lines of words and melody. The Beatles were brilliant.

Hey Jude: Who doesn’t have a Hey Jude memory? I have several, but one that comes to mind today is from Psychology class in my senior year of high school, taught by the late Greg Gault. The class was famous for the unit on subliminal messages, during which Mr. Gault would show us the hidden pictures on Camel cigarette boxes and Coca Cola ads, and then he would take out his record player. We listened to Queen backwards, tore apart “Hooked on a Feeling” in almost criminal fashion, and scoffed when Mr. Gault tried to reveal all the hidden drug references in “Bridge Over Troubled Water.” It was amusing to see him take on the Beatles, who did very little to hide their drug references. (Had he not heard “Dr. Robert”?) His take on “Hey Jude”? Drugs. All drugs. I still remember one line in particular: “The movement you need is on your shoulder.” Never really understood that line. According to Mr. Gault, it’s when you’re shooting up, popping that needle right in your shoulder. Do druggies even do that?

In My Life: I rediscovered this song during that same senior year, and though it’s written and sung from a much wiser voice than I had at the time, I took it to heart with all the excess sentimentality and melodrama a 17-year-old can muster. I was certain that these friends around me would be there forever, that I would remember these places all my life, just like the songs says. And, I was convinced that all those people and memories would pale when I would think of my love, my high school sweetheart. “I know I’ll never lose affection for people and things that went before. I know I’ll often stop and think about them, [but] in my life, I love you more.” Yeah, like that ever happens.

Guess what? It did happen. I married that high school sweetheart, and every time I hear that beautiful song I think of her.

So, happy 9-9-09 to Amy and to all.

A delightful case of mistaken identity September 8, 2009

Posted by markgeil in Things that amuse me.
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I was at the Braves game on Sunday with my family, enjoying an afternoon of sunshine and baseball (12 innings worth!) before a post-game Matthew West concert. I’m writing about the concert, so I got the chance to interview Matthew during the game in his swanky suite. He was delightful as always. So, it was a big day for me already, but it became even bigger when the game finally ended and we were leaving our seats on the third base side to make our way over to the first base side where the concert would be. Apparently I had some sort of “this guy hangs out with rock stars” glow about me, because as I made my way up the steps, a young lady stopped me and said,

“Aren’t you Kevin from Kevin and Taylor in the morning?”

If you’re not from around here, you don’t know why that’s so funny. I had no radio station gear on. No stickers, no hat, no t-shirt. I don’t even own a Fish t-shirt. But for some reason, she thought I was Kevin.

Here is Kevin:

Kevin

Here is Mark:

MarkGeil_small

See the resemblance? Kevin and Taylor comprise the morning show for 104.7 The Fish Atlanta. For several hours each morning, they discuss weight loss and relationships and emotions and dieting and beauty and motherhood and, well, girly stuff. Let’s just say they have a target market to reach.

I thought for just a second about answering, “Yes, I am. Great to meet you. Would you like to talk about women’s issues?” but I figured I couldn’t pull off the voice. Kevin has a very nice voice. Expressive without too much “radio personality” kitsch.

Instead, I just said, “No,” and she was disappointed. I shall henceforth begin growing my hair and reading books on fashion and dieting and relationships.